My first job out of college was working as a videotape editor in the
tiny newsroom of a local network affiliate. My job was to take endless
piles of raw video and turn them into a coherent 30-second piece of news
tape for voice-over or live read by the anchor. It was a thankless job
spent punching buttons in a closet-sized edit bay. The only time I got
noticed was when I screwed up. I would emerge after a couple of hours,
squinty-eyed and jumpy, to watch my video on the newscast monitor.
Then I would grab some more scripts and skulk back into the edit bay.
I left the world of local news as quickly as possible, but the lessons I
learned have stayed with me ever since – always smile for a mugshot and
write like an editor. Hopefully, you’ll never need the first lesson,
but the second one is crucial for writers. Imagine the piece of crime
scene video that appears on every local newscast. It starts with a wide
scene-setter and might cut to a close-up of a front door. Then there’s
a medium shot of the scene (perhaps a chalk outline on some pavement),
followed by flashing police lights, a close-up of yellow crime tape,
another wide shot, and a medium shot. There’s never five close-ups in a
row, or five wide shots in a row. The videotaped editor is taught to
mix up the length of shots to weave a complete picture.
Writers describing a scene would do well to follow this technique, and I
always have in my writing. A giant building could be developed by its
1) hulking, monolithic structure, 2) the cornice molding over the
doorway entrance, and 3) the businessman walk through it. A male
character could be described as 1) a large figure in a pea coat, 2) the
gray stubble on his face, and 3) his hands tucked in his coat pockets.
It’s the art of the cut-away – from faraway to close-up, and back, that
works here. It’s quick stabs of description peppered with light action.
Readers need story, but they also need specific details that add
without getting in the way.
I’ve often wondered how many great writers worked in local news, or were
simply avid watchers of the news. Many seem to follow this descriptive
template, and it’s a great tool for first-time authors looking to
harness the power of description. Next time you’re struggling with how
to describe action, it might be a good idea to turn on the local news
and see how they do it.
So what would be the best way of finding a competent, reputable editor?
ReplyDeleteessay writing
Hi Scott
ReplyDeleteI apologize for getting back to you 7 weeks after this question. I actually just now am seeing it for the first time. And though I'm certain you've found good answers to this question already or have maybe just moved on from it, I'm going to answer anyway.
The best ways to find a competent, reputable editors are to speak personally with an editor, observe their work, read customer testimonials, and to have an editor edit a sample of your work for free. There are a lot of pitfalls in professional editing. Finding a professional company with a track record of success is critical.
Hope that helps in some small way and sorry for the delay. I literally hadn't clicked on the comments tab in a couple of months. Sorry about that.
Chris Guthrie