Writing Like an Editor

My first job out of college was working as a videotape editor in the tiny newsroom of a local network affiliate. My job was to take endless piles of raw video and turn them into a coherent 30-second piece of news tape for voice-over or live read by the anchor. It was a thankless job spent punching buttons in a closet-sized edit bay. The only time I got noticed was when I screwed up. I would emerge after a couple of hours, squinty-eyed and jumpy, to watch my video on the newscast monitor. Then I would grab some more scripts and skulk back into the edit bay.

I left the world of local news as quickly as possible, but the lessons I learned have stayed with me ever since – always smile for a mugshot and write like an editor. Hopefully, you’ll never need the first lesson, but the second one is crucial for writers. Imagine the piece of crime scene video that appears on every local newscast. It starts with a wide scene-setter and might cut to a close-up of a front door. Then there’s a medium shot of the scene (perhaps a chalk outline on some pavement), followed by flashing police lights, a close-up of yellow crime tape, another wide shot, and a medium shot. There’s never five close-ups in a row, or five wide shots in a row. The videotaped editor is taught to mix up the length of shots to weave a complete picture.

Writers describing a scene would do well to follow this technique, and I always have in my writing. A giant building could be developed by its 1) hulking, monolithic structure, 2) the cornice molding over the doorway entrance, and 3) the businessman walk through it. A male character could be described as 1) a large figure in a pea coat, 2) the gray stubble on his face, and 3) his hands tucked in his coat pockets. It’s the art of the cut-away – from faraway to close-up, and back, that works here. It’s quick stabs of description peppered with light action. Readers need story, but they also need specific details that add without getting in the way.

I’ve often wondered how many great writers worked in local news, or were simply avid watchers of the news. Many seem to follow this descriptive template, and it’s a great tool for first-time authors looking to harness the power of description. Next time you’re struggling with how to describe action, it might be a good idea to turn on the local news and see how they do it.

THESES & DISSERTATIONS

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Editing Services at Open Book Editors

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